Features & Interviews

Wet Plate Portraits: Idles At The Tramshed Cardiff

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td#right {display:none !important;} Photograph: Gareth Jarvis Sweat is dripping from the ceiling, and there’s nowhere for it to fall except on the sea of bodies packed shoulder to shoulder at the Tramshed in Cardiff. Everyone is saturated, and it’s all Idles’ fault. The Bristol post-punks sold out the venue in under an hour when tickets went on sale back in November, and it seems the audience’s enthusiasm hasn’t waned since then.

There Is Fun Stuff and Cool Stuff and There Can Be Resistance: Martha Talk 'Love Keeps Kicking'

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One of life’s dirtiest tricks is the way it slowly erodes the time we have to do the things we love. In response we have nights spent on either side of a low stage, sweat flying and words being wrenched from hoarse throats. “When we’re on tour and playing shows I’m like: ‘This is me’. And then I quickly get back into normal, boring work,” Martha bassist Naomi Griffin says.

'Life is Chaos, But I Won't Give Up if You Don't': Devin Townsend on the Life-Affirming 'Empath'

 Tickets

Photo: Tanya Ghosh Murphy, the patterdale terrier, just barked inside. He’s a good dog, but he knows he shouldn’t bark inside.

Dual Lead Action: Ex Hex Discuss The Mighty Retro-Rock Power of 'It's Real'

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Photo: Michael Lavine Millions of words are spilled every year in the hope of capturing something profound or true, or profoundly true, about music, or movies, or books. But, at least part of the time, it’s all a ruse designed to dress up the most basic tenets of fandom: I hate this or this rules so fucking hard.

That Feeling: Meet The International Women of The Franklys

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Photo: Derek Bremner The Franklys are a Swedish-British garage-rock quartet you should be paying attention to. The band, singer and guitarist Jen Ahlkvist, guitarist Fanny Broberg, bassist Zoe Biggs and drummer Lexi Clark, are on the road showcasing their fizzing new EP, ‘Framed’. 

Pity The Nameless: Venom Prison Discuss The Egalitarian Brutality of 'Samsara'

 Tickets

“It doesn’t matter how bright we shine, the darkness always takes over,” begins guitarist Ash Gray, whose band, Venom Prison, are one of the bleakest in modern death metal. That said, after analysing the state of contemporary society on their new album ‘Samsara’, their nihilistic outlook is justified.

Morbid Fascination: How Billie Eilish Put Us Under Her Spell

 Tickets

Billie Eilish is everywhere at the moment. Armed with bewilderingly catchy pop hooks and a distinctly magnetic voice, the American artist is a force to be reckoned with.

The Light and Dark Inside: Holding Absence Talk Fusing Pop and Hardcore on Their Self-Titled Debut

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It’s taken Holding Absence a little over two years to go from freshly-formed newcomers in the Cardiff underground to one of the hottest acts in all of British hardcore. The youngsters have been cultivating their fanbase at a rapid pace, drawing new faces in with their infusion of heavy music’s shotgun-blast rhythms into what are otherwise emotional, melodic pop songs.

'Being In A Band is a Dumb Idea': Pkew Pkew Pkew Keep Things Honest on 'Optimal Lifestyles'

 Tickets

There is no other strain of self-analysis quite like the one that begins with a hangover placing its foot on your throat—that sweaty, heaving mass of bad decisions, good decisions that now feel like bad decisions, and inconvenient black spots.

There Can Never Be Too Many Guitar Solos: Du Blonde On Creative Control and 'Lung Bread For Daddy'

 Tickets

“The ‘60s and ‘70s are where the majority of my music taste lies,” Du Blonde, aka Beth Jeans Houghton, says when asked about the vintage tones written all over her new record, ‘Lung Bread For Daddy’. “There can never be too many guitar solos. I’m surprised by how many people don’t love a good rock opera.”

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